Friday, September 28, 2012
Kalaheo Ward Luau.
It is the ending of September. Our last class for this 2 months and we will go on a week break. The keiki is having their fall break, so all Hawaiian classes at the LDS church will break till 2nd week of October.
The Keiki, Ukulele and Makua classes will give a little light performances on
Saturday at the Kalaheo Ward Luau which will be held at Hanapepe at Salt Ponds Park in the main Pavilon.
The group will perform about 7:00 pm HST. The Makua class will open the show
Chanters ...Oli Kanoekolopali
Chanter.....Oli Pualani
Chanter.....Oli Kumu hula Auntie Nani
Opening mele .. He'eia
2nd mele.... Aloha Kauai
Ukulele class will come on ...They will play 4 songs
1.. you are my sunshine
2. When the Saints come marching on...
4 of the players will pick song on Ukulele
Jeremy Herr, Britnee Wood, Dalton Chadderson, and La'akea Israelsen
We save the Keiki Group for Last and for the Best Part of the show..
The Keiki class will do Hukilau... Please acknowledge this class for I know they will do a great job.. I just love this class.
Have fun and lots of applause for the Hawaiian Classes. They are simply Great!
I love the whole group. It is so fun..
Friday, June 15, 2012
Hula girl..
In my family, we had aunties and uncles with great talent. They played the guitar, piano,Ukulele, their voices were so beautiful, singing and also doing the hula. Such great talent I told myself.
As i grew older, my Uncles some of them passed on, Aunties passed on too and left us the 3rd generation of cousins that not all of us knew how to play the piano, ukulele or guitar, and do the hula. We all got together and those that hula took the ownership of teaching and playing the ukulele and sing with proudness and share it with our haumana.. Who will carry on when we leave this earth? Who will do my genealogy? Who will take my seat in all my church activities? Who?
As i am growing into my golden years, I wonder, who will do the work I am doing now.. Who will step into my place?
There is so much I have learned and there is so much more to learn. We need to choose our people in the family to take your place. to do this great work that we are doing now. or not all will be in vain.
Thursday, June 7, 2012
Nā Keʻehi I Ka Haʻa - Hula Steps
Contributed and Researched by Kalani N. Poʻomaiahealani
The following list is meant to encourage those interested in the cultural dance of Hawaiʻi. You're invited to learn what has been forgotten with the passage of time. The first 26 dance steps (nā keʻehi i ka haʻa) are recorded in the Hawaiian Dictionary authored by Mary Kawena Pukui and Samuel H. Elbert. Most of them are used today but others are probably unheard of by many modern day students and still others have been taught with different names. Some of the steps are called by more than one name and will be listed together. There are steps, nā keʻehi, that are not listed in the dictionary as hula steps, but have names that describe the action of the step and still there are others, with names whose origin is obscure. Each of the 3 groups will be listed separately. The term haʻa is used instead of hula. Haʻa as defined in the dictionary : a dance with bent knees; dancing; called hula after mid 1800's. To simplify matters, the following explanations will be given, beginning with a rightward movement.
Hula Step Names Found In The Dictionary
1. ʻAi: dancing style or type
2. ʻAi ʻami: type of haʻa with little foot movement, hips revolve throughout the dance
3. ʻAi haʻa: hula step executed with bended knee
4. ʻAi kāwele, Kāwele: haʻa step; one foot makes a half circle forward and to the side without touching the floor; usually in combination with other steps as the holo or ʻuwehe; used in "A Koʻolau Au"
5. ʻAmi: rotation of hips
6. ʻAmiʻami, ʻAmi hula: jerking motion of the hips back and forth in a crude or vulgar manner
7. ʻʻAmi kāhela, ʻAmi poepoe: hip rotates with the weight on the right hip as the left heel lifts very slightly, then reversing this action
8. ʻAmi kūkū: like the ʻami kāhela except the revolutions are smaller, faster and in groups of three; sometimes combined with two slower kāhele revolutions
9. ʻAmi kuʻupau (uninhibited), ʻAmi honua, ʻAmi hue: rapid revolution of the hips in the haʻa; an uninhibited ʻami, like in a Tahitian dance
10. ʻAmi ʻôniu (spinning): figure-eight haʻa step; the revolving hips (ʻami) form an "8" with the weight shifting
11. ʻAmi ʻōpū (stomach): ʻami haʻa step with the abdomen thrust forward, considered in poor taste
12. ʻAui: haʻa step where the dancer turns to the side and points the foot out once or several times, drawing the foot well back between each pointing; at the same time the body is tipped with the lowered hand pointing to the outpointing toes and the other hand raised in the opposite direction. In the hula "Kaulilua", this step is immediately executed upon the kahea "pa"
13. Hela: one foot is placed at about a 45 degree angle to the front/side with the weight on the opposite hip and the knees bent; the foot is then returned to the original position and the step is repeated with the other foot.
14. Holo: running holo step to the side, similar to kaholo except the feet are not necessarily brought together. Used in "Aua Ia I Kamapuaʻa"
15. Hue: revolving of the hips in time with the drummer, who beats as fast as possible, to see which dancer can dance the longest. Similar to ʻai ʻami and done at the end of the program
16. Kaʻapuni: haʻa step now called around the island; the dancer pivots on the ball of one foot in a complete circle; the other foot takes four or more steps to complete the circuit
17. Kāhele: Regular ʻami rotations. See ʻAmi kuku, Keʻehi #8
18. Kāholo: the haʻa vamp step, more common in modern than in ancient dances, consisting of 4 counts:
#1 one foot is extended in a straight line to the side
#2 the other foot is brought along side
#3 first foot is again extended in a straight line to the side
#4 the other foot is again brought along side the first foot
19. Kāwelu, Kalākaua: One foot taps time with the heel, the toes being stationary while the other foot, flat position, steps forward and back, the same distance, 2 or more times. The step is repeated, reversing the feet. This step is called Kalakaua in English because it was used to begin the haʻa hula dedicated to King David Kalākaua. Some halaus use the term kalākaua when this step is done in place to differentiate from kāwelu as the same step (front and back) that moves progressively to either side
20. Kelamoku: hula step invented by Hawaiian sailors. One foot swings alternately on ball and heel of same foot while the other points the toes front and back four times, then reversed; knees are bent, arms out, bent at the elbows, with the hands held up and fingers often snapping while swaying the body
21. Kîʻi, Wāewae Kîʻi: right foot points to the side (3:00), front (1:00), back into position with the left foot. Left foot repeats the same movements, side (9:00), front (11:00), back into position, on the opposite side. Some halaus incorporate an ʻuwehe when the 2 feet are back in the same position. This step is often used at the end of Olapa/Alaʻapapa dances. Legend says Hiʻiaka-i-ka-poli-o-Pele and Hopoe danced the hula on Puʻu Kiʻi, an islet at Ka-pueo-kahi harbor of Hana, Maui. It is said that this step was first danced here.
22. Lele: the dancer walks forward lifting the heel with each step, with a slight inward movement
23. Lele ʻUwehe: the ʻuwehe and lele steps are combined. Step with right foot, bringing the left foot to a hela position, bring left foot back into position beside right foot, then ʻuwehe. Repeat on other side
24. ʻO: The hip is thrust outward in a circular "O" movement; similar to the kawelu except the foot pivots while turning to the opposite direction
25. Ue, Uwe: haʻa step where the kahea: "e" imperative and "ue" is announced to the drummer and the beat is changed. The dancer extends the right foot forward with toes pointed, while both arms are brought forward to chest level with hands crossed and fingers tipped upward; the left hand stays up, while the right arm and foot swing back in an outward arc, ending with right foot pointing back. The right arm and foot are moved forward and the step is repeated to the left. Then three short steps are taken forward turning the body to the right. In the last movement, the left hand is forward and the right foot and arm are back. This step is often used to end pahu hula, i.e."Kaulilua"
26. ʻUlili: similar to ʻuwehe except only one heel at a time is raised.
27. ʻUwehe, ʻuehe, ʻuweke: one foot is lifted with weight shifting to the opposite hip as that foot is "Uehe" lowered; both knees are then pushed forward by the quick raising of the heels, with continued swaying of the hips from side to side. The actions are then repeated in reverse.
Step Names Not Found In the Dictionary
The names of the following steps were probably derived from their actions. Each step is described and defined
27. 'Ai holoholo: same as #14 holo
28. Akalewa: sway the hips from one side to the other
Definition: to sway the hips daintily and gracefully
29. Haʻanapu: sway the hips from side to side
Definition: to sway as in a dance
30. Hehi: on the count
Definition: to stamp, tread, trample, step on, trampling
#1 stamp the right foot while raising the left knee to slightly below the hip
#2 stamp the heel of the same foot leaving the left knee raised
#3 stamp the left foot while raising the right knee to slightly below the hip
#4 stamp the heel of the same foot leaving the right knee raised
31. Kuʻi: hop onto the right foot moving to the right while bringing the left heel with the toes pointing to the extreme left, approximately 6" in front of the right knee being sure that the body doesn't bounce (isolate action to the legs). The hop is executed 4 times then repeated to the left. Note: a loud stomping sound is preferred when executing the hops
Definition: 1. To pound, punch, strike; to beat out; to churn, 2.To join, stitch, sew, splice, united; joined; seam Hula kuʻi, any interpretive hula so called since the days of Kalakaua; literally, joined
32. Kuʻi Molokaʻi: similar to the kʻui except while hopping to the right as in the kuʻi, the left leg is thrust outward to the left, fully extended. After the 4th count to the right, repeat the movements to the left. Emphasize the stomping sound
Definition Molokaʻi: this dance (see hula kuʻi Molokaʻi) originated on the island of Molokaʻi
33. Hilo Kuʻi: start by lightly touching the ground with the right foot in an alternating heel-toe movement. Starting with the heel and ending with the heel in 7 counts, with the foot returning to the starting posiion on the 8th count. When placing the heel, the toes need to be pointing to the right at a 45' angle. When placing the toes, the foot should be perpendicular to the ground with the heels now taking the extreme right position. All the while, the opposite foot bearing the entire body weight shuffles across the floor to the right, alternating heel and toes, also in an 8 count. However, on the 1st count, the left foot remains stationary and begins the shuffle on the 2nd count with the heel moving to the right first. The shuffle is accomplished by placing all the weight of the body onto the ball of the left foot as the heel is moved to the right, then transferring the weight to the heel as the ball of the left foot is then moved the right. This movement is repeated until the right foot is returned to the starting positon on the 8th count. The entire process is now repeated in the opposite direction
Definition Hilo: to twist, braid, spin; twisted, braided
34. Kaholo Huli Hapahā: Quarter turn or holo/vamp step in a semi-circle. The name was coined by Kalani Poʻomaiahelani
35. Kiʻi Kuhi: To make time; keeping haʻa gestures with left hand gestures front and back; right hand taps ʻuliʻuli on lap
Step Names with Unknown Origin
36. Hoʻoholo, Glide, Slide: kaholo hula step in excess of 2 counts; usually 3 or 4 counts
37. Kao: this step name is widely used but there is no origin for its usage or meaning for the word
Usage: sway side to side
38. Uleipahu: on the count of:
#1 strike the ball of the right foot firmly on the floor
#2 strike the heel of the same foot
#3 strike the ball of the left foot firmly on the floor
#4 strike the heel of the same foot
Usage: may have come from the chant "Uleipahu I Ka Motu"
Arm Positions
Position #1 Kaholo-Vamp
Position #2 Kāwelu, Kalākaua
Position #3 ʻAmi
Positon #4 ʻUwehe, ʻUweke
Wednesday, June 6, 2012
This is more of a test for me to do this right.. A picture of the hula class with wonderful people
Today Wednesday June 6 2012, trying to get articles and pictures on the blog... I am learning. If any of you out there know how to do this.. Help!!! I need some help to learn how to put some pictures on my Blog
I want to get as much stories I can gather for you to read about the old Hawaiians and how we
ll governed they were in the Hawaiian islands way before the White man stepped into the picture.
Pictures in January when we started our hula classes. It was held in the primary room. LDS Church Kalaheo Ward Kauai Hi
2- Second picture was our ending class in May 24 2012...
I will update the hula pictures as I gradually learn how to do this correctly. So bear with me...
Pictures in January when we started our hula classes. It was held in the primary room. LDS Church Kalaheo Ward Kauai Hi
2- Second picture was our ending class in May 24 2012...
I will update the hula pictures as I gradually learn how to do this correctly. So bear with me...
Tuesday, June 5, 2012
Hula Steps
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